Dr t's Beall är huvudartist för "Woven in Govan", och var den ledande skotska konstnären för "Woven Network" (2020),som spänner över fem länder och leds av Plattform TU (Ukraina). Beall är en socialt engagerad konstnär och forskare baserad i Dumfries och Glasgow, som arbetar med samhällen på varaktighetsprojekt för att återställa marginaliserade historier. Hennes arbete [...]

Lia Ghilardi summarizes the methodology Intercult focused on in our process of finding and implementing a changemaking methodology for work at our organisation.  Here we would like to present the methodology to our partners and audience in Sweden, included the decision makers providing funding to culture in Sweden. The methodology is engaging artists creating participatory [...]

Intercult invited four socially engaged and changemaking women artists and practitioners to present the frame of their community building methodology. Dina Abu Hamdan is an interdisciplinary artist, artistic director, producer. She believes that the important thing is to give voice to the people, give them joy and empowerment. This will create a new thinking of [...]

Intercult invited four socially engaged and changemaking women artists and practitioners to present the frame of their community building methodology. Gülbeden Kulbay is a multi-artist working with Performance and Community-Art. She introduced us her approach and her methodology using her personal story and experiences. Based on this methodology she presents one of her works.     [...]

On June 16th, Intercult invited four socially engaged and changemaking women artists and practitioners to present the frame of their community building methodology. Liz Gardiner is an artist, teacher doctoral candidate with the University of the West of Scotland, free-lance consultant specialising in cultural planning and executive director of Fablevision. Liz is interested in arts [...]

We are living in a time of crisis where arts and cultural organisations are marginalised and isolated but it is a fact that they become stronger when they are embedded and supported by their community. How can cultural organisations and individuals increase art in the community and be of help to the wider community? This [...]